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The "Relating" of Diogenes Teufelsdröckh.

by E. [Ellen] A. Parish.
Volume 13, 1902, pgs. 425-446

A paper read by one of the students of the House of Education, at a Literary Evening, April 28th, 1902.

". . . the main question is, not how happy men and women have been in the world, but what they have made of themselves."

A great deal has been written about Thomas Carlyle, and many diverse opinions are held respecting him, but as Froude has said:--"When the Devil's advocate has said his worst against Carlyle, he leaves a figure still of unblemished integrity, purity, loftiness of purpose and inflexible resolution to do right, as of a man living consciously under his Maker's eye, and with his thoughts fixed on the account which he would have to render of his talents."

Much can be learned about Carlyle in the four long volumes which contain his life and letters, edited by J. A. Froude. These volumes give the main facts of his life, which are deeply interesting, whilst his letters (many of them teeming with affection and consideration for his family) show us the tender side of the man whose character has so often been condemned as hard and selfish.

Froude, indeed, perhaps unconsciously, by his notes added to this impression by dwelling on the sad side of Carlyle's temperament. The sad side was certainly there, due in a large measure to ill-health; but it was only one side, and the other is so grand and large that it is well to let it grow till it stands out all the more brilliant for its sombre setting.

Other volumes give us more letters of Carlyle, always interesting, always thoughtful, and ever expressing his intense desire to do the work for which he felt himself destined--"For of one thing was he always determined; that he would never sell his soul to the Devil, never speak what he did not feel to be right; and that he would keep his independence, come what might."

The letters of Mrs. Carlyle, which have also been published, show us Carlyle's life, as it were, through her spectacles, and also show us the remarkable woman who for forty years shared Carlyle's life, spurring him on, and never allowing him to be contented with anything but the very best.

Mrs. Carlyle's share in her husband's work is an all-important one. By her unceasing watchfulness and thoughtful affection, she made life possible to him, smoothing the difficulties that surrounded him, and encouraging him by her devotion and sympathy.

"The work which Carlyle has done is before the world, and the world has long acknowledged what it owes to him. It would not have been done so well, perhaps it never would have been done at all, if he had not had a woman at his side, to shield him from the petty troubles of a poor man's life by her own incessant toil. The lives of the Carlyles were not happy, but if we look at them from the beginning to the end, they were grandly beautiful. Neither of them, probably, under other conditions would have risen to as high an excellence as in fact they each achieved; and the main question is, not how happy men and women have been in the world, but what they have made of themselves."

But, interesting as it is to read all there is to read about the Carlyles, and fascinating as it may be to visit their house in Cheyne Row, and see the rooms in which Carlyle lived and the chair in which he used to sit, even some of the letters he wrote to his wife; all this fails to give us Carlyle's real self as it is revealed in his works, for here he shows himself without reserve.

Foremost among these stands Sartor Resartus, for which Carlyle's own history, inward and outward, furnished substance. He never succeeded in giving artistic harmony to this work, but if defective as a work of art, Sartor is, for that very reason, a revelation of Carlyle's individuality.

The idea first struck him when on a visit to Mrs. Carlyle, at Templand. Customs, institutions, religions, creeds--what were they but the clothes in which human creatures covered their human nakedness and enabled men to live harmoniously. Clothes, dress, changed with the times; they grew old, they were elaborate, they were simple; they varied with fashion or habit of life; they were the outward indictors of the inward and spiritual nature.

The analogy gave the freest scope for the wilfullest and wildest humour.

Yes Mrs. Carlyle said to her husband as she finished the last page of Sartor: "It is a work of genius, dear," and her judgment was unerring; she flattered no one, and least of all her husband.

And what is this strange and mysterious work which is to teach us to know Carlyle and see life with his eyes?

It is the assumed translation of the life and opinions of one Teufelsdröckh, an unknown German professor, which Carlyle puts before us, and in so doing he begs us to direct our attention "to the Book itself, rather than to the Editor of the Book," for, as he continues--

Yet, knowing the relation between Teufelsdröckh and the editor, and reading that: "The soul of Teufelsdröckh lies enclosed in this remarkable volume," we are encouraged to continue, and our perseverance meets with its reward.

Among the characteristics of Teufelsdröckh we are told that

And that in Teufelsdröckh there is an

Yet at other times

Of the first public entry made by Teufelsdröckh we know only this: In the village of Entepfuhl dwelt Andreas Futteral and his wife, childless, in still seclusion, and cheerful, though now verging towards old age. Andreas cultivated a little orchard, on the produce of which he lived, not without dignity, and the good Gretchen watched over him and tended the roomy cottage, embowered in fruit trees and forest trees, evergreens and honeysuckles. Hither came one evening a stranger, who, with grand salutation, stood before the astonished inmates. He was closely muffled in a wide mantle, which without further parley unfolding, he disclosed a basket, saying:

Before Andreas or his wife could answer, the stranger was gone, and the astonished couple descried in the green basket a little red-coloured infant. The venerable couple decided to foster the child, and heaven smiled on their endeavours.

That the child's early years were happy we know by such passages as these:

More graceful is the following little picture:

He gives a somewhat detailed account of those circumstances which combined to establish his relationship with the world around him and above him.

The account is so interesting, especially for us who are eager to learn more and more of the workings of a little child's mind, that it seems advisable to read the whole passage.

One cannot fail to be struck by the similarity between the childhood of the young Diogenes and that of Carlyle himself. The description reminds one of the household at Ecclefechan, in Annandale, where also the life was frugal, rigorous and secluded, with an underlying deep earnestness, and all so honest, well-meant and loving.

[Thomas Carlyle was born in Ecclefechan, a small village in Scotland.]

Gretchen, with the invaluable service she rendered, might be Carlyle's own mother, "A woman of the fairest descent, that of the pious, the just, and the wise;" while her reverent look and habitude, her own simple version of the Christian faith, calls to mind letters from Mrs. Carlyle to her son, in which such passages as the following are frequently found: "Do send me a long letter; it revives me greatly, and tell me honestly if you read your chapter e'en and morn, lad"--and one other letter which I leave entire as showing, not only Mrs. Carlyle's simple faith, but also the sweet relation which existed between mother and son:--

One feels certain that Carlyle means himself when he speak of "that peasant's son that knew."

Can we not also trace Carlyle in him about whom, even in childhood, lay a dark ring of care, which waxed over broader and broader till it threatened to engulf him in final night?

Happy for us that the cloud which was to gather and deepen into the "Everlasting No" was to be pierced by Heaven's light and that there would still be given to us the Everlasting yea.

Hitherto we have seen he child in his passive state, but now the active begins and we are impatient to discover how, when he understands the tools a little, and can handle this or that, he will proceed to handle it.

Diogenes' first experiences at school were by no means happy.

This is descriptive of Carlyle's first experiences at the Annan Grammar School and is by no means an exaggerated account of the sufferings he was to endure at the hands of his schoolmates. Indeed, he says of this very passage, "This is true and not half the truth."

Now we see the youth passing on to his life at the University, living in great poverty and in an intellectual atmosphere, which was altogether unsatisfying to him.

Having thrown up his legal profession, Teufelsdröckh finds himself without landmark of outward guidance, whereby his previous want of decided Belief, or inward guidance, is frightfully aggravated.

Teufelsdröckh is now a man without profession, setting forth, as it were, on his voyage into unknown seas. At the outset he is detained by a certain Calypso island. This silent dreamy being is irresistibly attracted by a fair maiden of whom he speaks as Blumine. Blumine, who "glanced in her modesty, like a star among earthly lights," belonged to a sphere which was far from his, and yet the attraction seemed mutual. He ventured to address her and she answered with attention, seemed even to look on him with encouragement. They met frequently and to Teufelsdröckh in his happiness it seemed that "soft melodies flowed through his heart and tones of infinite gratitude." But such happiness was of short duration and the dream ended . . . . as it could only end.

And then in his sorrows, which he bears in silence, Teufelsdröckh starts on a long wandering; a nameless unrest urging him forward, his only solace found in outward motion. Among great men, great cities, and great events, he finds no healing. He says once:

In those days, too, doubt had darkened into unbelief, the whole world seemed to him sold to unbelief, yet he notes that after all the nameless woe that inquiry, which for him was a genuine love of truth, had wrought, he nevertheless loved truth and would bate no jot of allegiance to her.

Thus he lived in strange isolation, walking solitary, doubting his capacity for work. As he writes:--

How like Carlyle's own words to his brother John:--"It is a shame and a misery to me at this age, to be gliding about in strenuous idleness, with no hand in the game of life where I have yet so much to win."

Yet slowly, during the wanderings, a light begins to break upon the wanderer. His passionate yearnings after truth are not to remain unanswered, and he finds the problem of life is growing clearer to him. This is how he solves it:--

So far only can we go with Teufelsdröckh, bringing him to what his editor calls his spiritual majority. For now the editor becomes haunted with the suspicion that these auto-biographical documents are only a mystification, and he determines to leave the biography and turn to Teufelsdröckh's clothes, philosophy.

This philosophy would teach us to look--

Taine says:--"The speciality of Carlyle, as of every mystic, is to see a double meaning in everything. For him, texts and objects are capable of two interpretations. The one open to all, serviceable for ordinary life; the other sublime, open to a few, serviceable to a higher life."

Thus Teufelsdröckh says:--

Everything, language, poetry, arts, church, state, are only symbols.

Then, rising higher, he regards time and space, those two abysses which it seems nothing could fill up or destroy, and over which hover our life and our universe.

Typed by happi, Apr. 2020; Proofread by LNL, May 2020