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Poems of Robert Frost, 1874-1963

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Frost's essay "The Figure a Poem Makes"
180 of Frost's poems
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01. The Pasture
02. Going for Water
03. Fire and Ice
04. Good-by and Keep Cold
05. The Runaway
06. The Road Not Taken
07. Into My Own
08. A Patch of Old Snow
09. The Telephone
10. Hyla Brook
11. The Oven Bird
12. Birches
13. Pea Brush
14. A Time to Talk
15. The Cow in Apple Time
16. A Girl's Garden
17. The Exposed Nest
18. Stars
19. A Hillside Thaw
20. Storm Fear
21. A Prayer in Spring
22. To The Thawing Wind
23. After Apple-picking
24. The Wood-pile
25. from The Mountain
26. Gathering Leaves
27. Stopping by Woods on a Snowy Evening
28. For Once, Then, Something
29. Now Close the Windows
30. Good Hours
31. The Vantage Point
32. Dust of Snow
33. The Tuft of Flowers
34. Mending Wall
35. In Hardwood Groves
36. Mowing
37. Revelation
38. In Equal Sacrifice
39. October
40. Reluctance
41. Fragmentary Blue
42. The Need of Being Versed in Country Things
43. Bond and Free
44. My November Guest
45. Nothing Gold Can Stay
Links to longer poems

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01. The Pasture from North of Boston, 1915

I'm going out to clean the pasture spring;
I'll only stop to rake the leaves away
(And wait to watch the water clear, I may):
I sha'n't be gone long.--You come too.

I'm going out to fetch the little calf
That's standing by the mother. It's so young,
It totters when she licks it with her tongue.
I sha'n't be gone long.--You come too.

02. Going for Water from A Boy's Will, 1915

The well was dry beside the door,
    And so we went with pail and can
Across the fields behind the house
    To seek the brook if still it ran;

Not loth to have excuse to go,
    Because the autumn eve was fair
(Though chill), because the fields were ours,
    And by the brook our woods were there.

We ran as if to meet the moon
    That slowly dawned behind the trees,
The barren boughs without the leaves,
    Without the birds, without the breeze.

But once within the wood, we paused
    Like gnomes that hid us from the moon,
Ready to run to hiding new
    With laughter when she found us soon.

Each laid on other a staying hand
    To listen ere we dared to look,
And in the hush we joined to make
    We heard, we knew we heard the brook.

A note as from a single place,
    A slender tinkling fall that made
Now drops that floated on the pool
    Like pearls, and now a silver blade.

03. Fire and Ice from Harper's Magazine, July 1920, and New Hampshire, 1923

Some say the world will end in fire,
Some say in ice.
From what I've tasted of desire
I hold with those who favor fire.
But if it had to perish twice,
I think I know enough of hate
To say that for destruction ice
Is also great
And would suffice.

04. Good-by and Keep Cold from Harper's Magazine, July 1920, and New Hampshire, 1923

This saying good-by on the edge of the dark
And cold to an orchard so young in the bark
Reminds me of all that can happen to harm
An orchard away at the end of the farm
All winter, cut off by a hill from the house.
I don't want it girdled by rabbit and mouse,
I don't want it dreamily nibbled for browse
By deer, and I don't want it budded by grouse.
(If certain it wouldn't be idle to call
I'd summon grouse, rabbit, and deer to the wall
And warn them away with a stick for a gun.)
I don't want it stirred by the heat of the sun.
(We made it secure against being, I hope,
By setting it out on a northerly slope.)
No orchard's the worse for the wintriest storm;
But one thing about it, it mustn't get warm.
"How often already you've had to be told,
Keep cold, young orchard. Good-by and keep cold.
Dread fifty above more than fifty below."
I have to be gone for a season or so.
My business awhile is with different trees,
Less carefully nourished, less fruitful than these,
And such as is done to their wood with an ax
Maples and birches and tamaracks.
I wish I could promise to lie in the night
And think of an orchard's arboreal plight
When slowly (and nobody comes with a light)
Its heart sinks lower under the sod.
But something has to be left to God.

05. The Runaway from The Amherst Monthly, June 1918 and New Hampshire, 1923

Once when the snow of the year was beginning to fall,
We stopped by a mountain pasture to say 'Whose colt?'
A little Morgan had one forefoot on the wall,
The other curled at his breast. He dipped his head
And snorted at us. And then he had to bolt.
We heard the miniature thunder where he fled,
And we saw him, or thought we saw him, dim and grey,
Like a shadow against the curtain of falling flakes.
'I think the little fellow's afraid of the snow.
He isn't winter-broken. It isn't play
With the little fellow at all. He's running away.
I doubt if even his mother could tell him, "Sakes,
It's only weather". He'd think she didn't know!
Where is his mother? He can't be out alone.'
And now he comes again with a clatter of stone
And mounts the wall again with whited eyes
And all his tail that isn't hair up straight.
He shudders his coat as if to throw off flies.
'Whoever it is that leaves him out so late,
When other creatures have gone to stall and bin,
Ought to be told to come and take him in.'

06. The Road Not Taken from Mountain Interval, 1916

Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;

Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,

And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.

I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I -
I took the one less traveled by
And that has made all the difference.

07. Into My Own from A Boy's Will, 1915

One of my wishes is that those dark trees,
So old and firm they scarcely show the breeze,
Were not, as 'twere, the merest mask of gloom,
But stretched away unto the edge of doom.

I should not be withheld but that some day
Into their vastness I should steal away,
Fearless of ever finding open land,
Or highway where the slow wheel pours the sand.

I do not see why I should e'er turn back,
Or those should not set forth upon my track
To overtake me, who should miss me here
And long to know if still I held them dear.

They would not find me changed from him they knew--
Only more sure of all I thought was true.

08. A Patch of Old Snow from Mountain Interval, 1916

There's a patch of old snow in a corner
      That I should have guessed
Was a blow-away paper the rain
      Had brought to rest.

It is speckled with grime as if
      Small print overspread it,
The news of a day I've forgotten
      If I ever read it.

09. The Telephone from Mountain Interval, 1916

"When I was just as far as I could walk
From here today,
There was an hour
All still
When leaning with my head against a flower
I heard you talk.
Don't say I didn't, for I heard you say--
You spoke from that flower on the windowsill--
Do you remember what it was you said?"

"First tell me what it was you thought you heard."

"Having found the flower and driven a bee away,
I leaned my head,
And holding by the stalk,
I listened and I thought I caught the word--
What was it? Did you call me by my name?
Or did you say--
Someone said 'Come'--I heard it as I bowed."

"I may have thought as much, but not aloud."

"Well, so I came."

10. Hyla Brook from Mountain Interval, 1916

By June our brook's run out of song and speed.
Sought for much after that, it will be found
Either to have gone groping underground
(And taken with it all the Hyla breed
That shouted in the mist a month ago,
Like ghost of sleigh-bells in a ghost of snow)
Or flourished and come up in jewel-weed,
Weak foliage that is blown upon and bent
Even against the way its waters went.
Its bed is left a faded paper sheet
Of dead leaves stuck together by the heat
A brook to none but who remember long.
This as it will be seen is other far
Than with brooks taken otherwhere in song.
We love the things we love for what they are.

11. The Oven Bird from Mountain Interval, 1916

There is a singer everyone has heard,
Loud, a mid-summer and a mid-wood bird,
Who makes the solid tree trunks sound again.
He says that leaves are old and that for flowers
Mid-summer is to spring as one to ten.
He says the early petal-fall is past
When pear and cherry bloom went down in showers
On sunny days a moment overcast;
And comes that other fall we name the fall.
He says the highway dust is over all.
The bird would cease and be as other birds
But that he knows in singing not to sing.
The question that he frames in all but words
Is what to make of a diminished thing.

12. Birches from Mountain Interval, 1916

When I see birches bend to left and right
Across the lines of straighter darker trees,
I like to think some boy's been swinging them.
But swinging doesn't bend them down to stay.
Ice-storms do that. Often you must have seen them
Loaded with ice a sunny winter morning
After a rain. They click upon themselves
As the breeze rises, and turn many-coloured
As the stir cracks and crazes their enamel.
Soon the sun's warmth makes them shed crystal shells
Shattering and avalanching on the snow-crust--
Such heaps of broken glass to sweep away
You'd think the inner dome of heaven had fallen.
They are dragged to the withered bracken by the load,
And they seem not to break; though once they are bowed
So low for long, they never right themselves:
You may see their trunks arching in the woods
Years afterwards, trailing their leaves on the ground,
Like girls on hands and knees that throw their hair
Before them over their heads to dry in the sun.
But I was going to say when Truth broke in
With all her matter-of-fact about the ice-storm,
I should prefer to have some boy bend them
As he went out and in to fetch the cows--
Some boy too far from town to learn baseball,
Whose only play was what he found himself,
Summer or winter, and could play alone.
One by one he subdued his father's trees
By riding them down over and over again
Until he took the stiffness out of them,
And not one but hung limp, not one was left
For him to conquer. He learned all there was
To learn about not launching out too soon
And so not carrying the tree away
Clear to the ground. He always kept his poise
To the top branches, climbing carefully
With the same pains you use to fill a cup
Up to the brim, and even above the brim.
Then he flung outward, feet first, with a swish,
Kicking his way down through the air to the ground.

So was I once myself a swinger of birches.
And so I dream of going back to be.
It's when I'm weary of considerations,
And life is too much like a pathless wood
Where your face burns and tickles with the cobwebs
Broken across it, and one eye is weeping
From a twig's having lashed across it open.
I'd like to get away from earth awhile
And then come back to it and begin over.
May no fate willfully misunderstand me
And half grant what I wish and snatch me away
Not to return. Earth's the right place for love:
I don't know where it's likely to go better.
I'd like to go by climbing a birch tree
And climb black branches up a snow-white trunk
Toward heaven, till the tree could bear no more,
But dipped its top and set me down again.
That would be good both going and coming back.
One could do worse than be a swinger of birches.

13. Pea Brush from Mountain Interval, 1916

I walked down alone Sunday after church
     To the place where John has been cutting trees
To see for myself about the birch
     He said I could have to bush my peas.

The sun in the new-cut narrow gap
     Was hot enough for the first of May,
And stifling hot with the odor of sap
     From stumps still bleeding their life away.

The frogs that were peeping a thousand shrill
     Wherever the ground was low and wet,
The minute they heard my step went still
     To watch me and see what I came to get.

Birch boughs enough piled everywhere!
     All fresh and sound from the recent axe.
Time someone came with cart and pair
     And got them off the wild flower's backs.

They might be good for garden things
     To curl a little finger round,
The same as you seize cat's-cradle strings,
     And lift themselves up off the ground.

Small good to anything growing wild,
     They were crooking many a trillium
That had budded before the boughs were piled
     And since it was coming up had to come.

14. A Time to Talk from Mountain Interval, 1916

When a friend calls to me from the road
And slows his horse to a meaning walk,
I don't stand still and look around
On all the hills I haven't hoed,
And shout from where I am, What is it?
No, not as there is a time to talk.
I thrust my hoe in the mellow ground,
Blade-end up and five feet tall,
And plod: I go up to the stone wall
For a friendly visit.

15. The Cow in Apple Time from Mountain Interval, 1916

Something inspires the only cow of late
To make no more of a wall than an open gate,
And think no more of wall-builders than fools.
Her face is flecked with pomace and she drools
A cider syrup. Having tasted fruit,
She scorns a pasture withering to the root.
She runs from tree to tree where lie and sweeten
The windfalls spiked with stubble and worm-eaten.
She leaves them bitten when she has to fly.
She bellows on a knoll against the sky.
Her udder shrivels and the milk goes dry.

16. A Girl's Garden from Mountain Interval, 1916

A neighbor of mine in the village
     Likes to tell how one spring
When she was a girl on the farm, she did
     A childlike thing.

One day she asked her father
     To give her a garden plot
To plant and tend and reap herself,
     And he said, "Why not?"

In casting about for a corner
     He thought of an idle bit
Of walled-off ground where a shop had stood,
     And he said, "Just it."

And he said, "That ought to make you
     An ideal one-girl farm,
And give you a chance to put some strength
     On your slim-jim arm."

It was not enough of a garden,
     Her father said, to plough;
So she had to work it all by hand,
     But she don't mind now.

She wheeled the dung in the wheelbarrow
     Along a stretch of road;
But she always ran away and left
     Her not-nice load

And hid from anyone passing.
     And then she begged the seed.
She says she thinks she planted one
     Of all things but weed.

A hill each of potatoes,
     Radishes, lettuce, peas,
Tomatoes, beets, beans, pumpkins, corn,
     And even fruit trees

And yes, she has long mistrusted
     That a cider apple tree
In bearing there to-day is hers,
     Or at least may be.

Her crop was a miscellany
     When all was said and done,
A little bit of everything,
     A great deal of none.

Now when she sees in the village
     How village things go,
Just when it seems to come in right,
     She says, "I know!

It's as when I was a farmer--"
     Oh, never by way of advice!
And she never sins by telling the tale
     To the same person twice.

17. The Exposed Nest from Mountain Interval, 1916

You were forever finding some new play.
So when I saw you down on hands and knees
In the meadow, busy with the new-cut hay,
Trying, I thought, to set it up on end,
I went to show you how to make it stay,
If that was your idea, against the breeze,
And, if you asked me, even help pretend
To make it root again and grow afresh.
But 'twas no make-believe with you to-day,
Nor was the grass itself your real concern,
Though I found your hand full of wilted fern,
Steel-bright June-grass, and blackening heads of clover.
'Twas a nest full of young birds on the ground
The cutter-bar had just gone champing over
(Miraculously without tasting flesh)
And left defenseless to the heat and light.
You wanted to restore them to their right
Of something interposed between their sight
And too much world at once--could means be found.
The way the nest-full every time we stirred
Stood up to us as to a mother-bird
Whose coming home has been too long deferred,
Made me ask would the mother-bird return
And care for them in such a change of scene
And might our meddling make her more afraid.
That was a thing we could not wait to learn.
We saw the risk we took in doing good,
But dared not spare to do the best we could
Though harm should come of it; so built the screen
You had begun, and gave them back their shade.
All this to prove we cared. Why is there then
No more to tell? We turned to other things.
I haven't any memory--have you?--
Of ever coming to the place again
To see if the birds lived the first night through,
And so at last to learn to use their wings.

18. Stars from A Boy's Will, 1915

How countlessly they congregate
     O'er our tumultuous snow,
Which flows in shapes as tall as trees
     When wintry winds do blow!--

As if with keenness for our fate,
     Our faltering few steps on
To white rest, and a place of rest
     Invisible at dawn,--

And yet with neither love nor hate,
     Those stars like some snow-white
Minerva's snow-white marble eyes
     Without the gift of sight.

19. A Hillside Thaw from New Hampshire, 1923

To think to know the country and not know
The hillside on the day the sun lets go
Ten million silver lizards out of snow!
As often as I've seen it done before
I can't pretend to tell the way it's done.
It looks as if some magic of the sun
Lifted the rug that bred them on the floor
And the light breaking on them made them run.
But if I thought to stop the wet stampede,
And caught one silver lizard by the tail,
And put my foot on one without avail,
And threw myself wet-elbowed and wet-kneed
In front of twenty others' wriggling speed,--
In the confusion of them all aglitter,
And birds that joined in the excited fun
By doubling and redoubling song and twitter,
I have no doubt I'd end by holding none.

It takes the moon for this. The sun's a wizard
By all I tell; but so's the moon a witch.
From the high west she makes a gentle cast
And suddenly, without a jerk or twitch,
She has her spell on every single lizard.
I fancied when I looked at six o'clock
The swarm still ran and scuttled just as fast.
The moon was waiting for her chill effect.
I looked at nine: the swarm was turned to rock
In every lifelike posture of the swarm,
Transfixed on mountain slopes almost erect.
Across each other and side by side they lay.
The spell that so could hold them as they were
Was wrought through trees without a breath of storm
To make a leaf, if there had been one, stir.
It was the moon's: she held them until one day,
One lizard at the end of every ray.
The thought of my attempting such a stay!

20. Storm Fear from A Boy's Will, 1915

When the wind works against us in the dark,
And pelts with snow
The lowest chamber window on the east,
And whispers with a sort of stifled bark,
The beast,
'Come out! Come out!'--
It costs no inward struggle not to go,
Ah, no!
I count our strength,
Two and a child,
Those of us not asleep subdued to mark
How the cold creeps as the fire dies at length,--
How drifts are piled,
Dooryard and road ungraded,
Till even the comforting barn grows far away
And my heart owns a doubt
Whether 'tis in us to arise with day
And save ourselves unaided.

21. A Prayer in Spring from A Boy's Will, 1915

Oh, give us pleasure in the flowers to-day;
And give us not to think so far away
As the uncertain harvest; keep us here
All simply in the springing of the year.

Oh, give us pleasure in the orchard white,
Like nothing else by day, like ghosts by night;
And make us happy in the happy bees,
The swarm dilating round the perfect trees.

And make us happy in the darting bird
That suddenly above the bees is heard,
The meteor that thrusts in with needle bill,
And off a blossom in mid air stands still.

For this is love and nothing else is love,
The which it is reserved for God above
To sanctify to what far ends He will,
But which it only needs that we fulfil.

22. To The Thawing Wind from A Boy's Will, 1915

Come with rain. O loud Southwester!
Bring the singer, bring the nester;
Give the buried flower a dream;
make the settled snowbank steam;
Find the brown beneath the white;
But whate'er you do tonight,
bath my window, make it flow,
Melt it as the ice will go;
Melt the glass and leave the sticks
Like a hermit's crucifix;
Burst into my narrow stall;
Swing the picture on the wall;
Run the rattling pages o'er;
Scatter poems on the floor;
Turn the poet out of door.

23. After Apple-picking from North of Boston, 1915

My long two-pointed ladder's sticking through a tree
Toward heaven still,
And there's a barrel that I didn't fill
Beside it, and there may be two or three
Apples I didn't pick upon some bough.
But I am done with apple-picking now.
Essence of winter sleep is on the night,
The scent of apples: I am drowsing off.
I cannot rub the strangeness from my sight
I got from looking through a pane of glass
I skimmed this morning from the drinking trough
And held against the world of hoary grass.
It melted, and I let it fall and break.
But I was well
Upon my way to sleep before it fell,
And I could tell
What form my dreaming was about to take.
Magnified apples appear and disappear,
Stem end and blossom end,
And every fleck of russet showing clear.
My instep arch not only keeps the ache,
It keeps the pressure of a ladder-round.
I feel the ladder sway as the boughs bend.
And I keep hearing from the cellar bin
The rumbling sound
Of load on load of apples coming in.
For I have had too much
Of apple-picking: I am overtired
Of the great harvest I myself desired.
There were ten thousand thousand fruit to touch,
Cherish in hand, lift down, and not let fall.
For all
That struck the earth,
No matter if not bruised or spiked with stubble,
Went surely to the cider-apple heap
As of no worth.
One can see what will trouble
This sleep of mine, whatever sleep it is.
Were he not gone,
The woodchuck could say whether it's like his
Long sleep, as I describe its coming on,
Or just some human sleep.

24. The Wood-pile from North of Boston, 1915

Out walking in the frozen swamp one grey day
I paused and said, "I will turn back from here.
No, I will go on farther--and we shall see."
The hard snow held me, save where now and then
One foot went down. The view was all in lines
Straight up and down of tall slim trees
Too much alike to mark or name a place by
So as to say for certain I was here
Or somewhere else: I was just far from home.
A small bird flew before me. He was careful
To put a tree between us when he lighted,
And say no word to tell me who he was
Who was so foolish as to think what he thought.
He thought that I was after him for a feather--
The white one in his tail; like one who takes
Everything said as personal to himself.
One flight out sideways would have undeceived him.
And then there was a pile of wood for which
I forgot him and let his little fear
Carry him off the way I might have gone,
Without so much as wishing him good-night.
He went behind it to make his last stand.
It was a cord of maple, cut and split
And piled--and measured, four by four by eight.
And not another like it could I see.
No runner tracks in this year's snow looped near it.
And it was older sure than this year's cutting,
Or even last year's or the year's before.
The wood was grey and the bark warping off it
And the pile somewhat sunken. Clematis
Had wound strings round and round it like a bundle.
What held it though on one side was a tree
Still growing, and on one a stake and prop,
These latter about to fall. I thought that only
Someone who lived in turning to fresh tasks
Could so forget his handiwork on which
He spent himself, the labour of his axe,
And leave it there far from a useful fireplace
To warm the frozen swamp as best it could
With the slow smokeless burning of decay.

25. from The Mountain from North of Boston, 1915

The mountain held the town as in a shadow
I saw so much before I slept there once:
I noticed that I missed stars in the west,
Where its black body cut into the sky.
Near me it seemed: I felt it like a wall
Behind which I was sheltered from a wind.
And yet between the town and it I found,
When I walked forth at dawn to see new things,
Were fields, a river, and beyond, more fields.
The river at the time was fallen away,
And made a widespread brawl on cobble-stones;
But the signs showed what it had done in spring;
Good grass-land gullied out, and in the grass
Ridges of sand, and driftwood stripped of bark.
I crossed the river and swung round the mountain.
And there I met a man who moved so slow
With white-faced oxen in a heavy cart,
It seemed no hand to stop him altogether.
"What town is this?" I asked.
"This? Lunenburg."
Then I was wrong: the town of my sojourn,
Beyond the bridge, was not that of the mountain,
But only felt at night its shadowy presence.

26. Gathering Leaves from New Hampshire, 1923

Spades take up leaves
No better than spoons,
And bags full of leaves
Are light as balloons.

I make a great noise
Of rustling all day
Like rabbit and deer
Running away.

But the mountains I raise
Elude my embrace,
Flowing over my arms
And into my face.

I may load and unload
Again and again
Till I fill the whole shed,
And what have I then?

Next to nothing for weight,
And since they grew duller
From contact with earth,
Next to nothing for color.

Next to nothing for use.
But a crop is a crop,
And who's to say where
The harvest shall stop?

27. Stopping by Woods on a Snowy Evening from New Hampshire, 1923

Whose woods these are I think I know.
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow.

My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.

He gives his harness bells a shake
To ask if there is some mistake.
The only other sound's the sweep
Of easy wind and downy flake.

The woods are lovely, dark, and deep,
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.

28. For Once, Then, Something from New Hampshire, 1923

Others taught me with having knelt at well-curbs
Always wrong to the light, so never seeing
Deeper down in the well than where the water
Gives me back in a shining surface picture
Me myself in the summer heaven godlike
Looking out of a wreath of fern and cloud puffs.
Once, when trying with chin against a well-curb,
I discerned, as I thought, beyond the picture,
Through the picture, a something white, uncertain,
Something more of the depths--and then I lost it.
Water came to rebuke the too clear water.
One drop fell from a fern, and lo, a ripple
Shook whatever it was lay there at bottom,
Blurred it, blotted it out. What was that whiteness?
Truth? A pebble of quartz? For once, then, something.

29. Now Close the Windows from A Boy's Will, 1915

Now close the windows and hush all the fields:
      If the trees must, let them silently toss;
No bird is singing now, and if there is,
      Be it my loss.

It will be long ere the marshes resume,
      I will be long ere the earliest bird:
So close the windows and not hear the wind,
      But see all wind-stirred.

30. Good Hours from North of Boston, 1915

I had for my winter evening walk--
No one at all with whom to talk,
But I had the cottages in a row
Up to their shining eyes in snow.

And I thought I had the folk within:
I had the sound of a violin;
I had a glimpse through curtain laces
Of youthful forms and youthful faces.

I had such company outward bound.
I went till there were no cottages found.
I turned and repented, but coming back
I saw no window but that was black.

Over the snow my creaking feet
Disturbed the slumbering village street
Like profanation, by your leave,
At ten o'clock of a winter eve.

31. The Vantage Point from A Boy's Will, 1915

If tired of trees I seek again mankind,
     Well I know where to hie me--in the dawn,
     To a slope where the cattle keep the lawn.
There amid lolling juniper reclined,
Myself unseen, I see in white defined
     Far off the homes of men, and farther still,
     The graves of men on an opposing hill,
Living or dead, whichever are to mind.

And if by noon I have too much of these,
     I have but to turn on my arm, and lo,
     The sun-burned hillside sets my face aglow,
My breathing shakes the bluet like a breeze,
     I smell the earth, I smell the bruised plant,
     I look into the crater of the ant.

32. Dust of Snow from New Hampshire, 1923

The way a crow
Shook down on me
The dust of snow
From a hemlock tree

Has given my heart
A change of mood
And saved some part
Of a day I had rued.

33. The Tuft of Flowers from A Boy's Will, 1915

I went to turn the grass once after one
Who mowed it in the dew before the sun.

The dew was gone that made his blade so keen
Before I came to view the levelled scene.

I looked for him behind an isle of trees;
I listened for his whetstone on the breeze.

But he had gone his way, the grass all mown,
And I must be, as he had been -- alone,

'As all must be,' I said within my heart,
'Whether they work together or apart.'

But as I said it, swift there passed me by
On noiseless wing a bewildered butterfly,

Seeking with memories grown dim o'er night
Some resting flower of yesterday's delight.

And once I marked his flight go round and round,
As where some flower lay withering on the ground.

And then he flew as far as eye could see,
And then on tremulous wing came back to me.

I thought of questions that have no reply,
And would have turned to toss the grass to dry;

But he turned first, and led my eye to look
At a tall tuft of flowers beside a brook,

A leaping tongue of bloom the scythe had spared
Beside a reedy brook the scythe had bared.

The mower in the dew had loved them thus,
By leaving them to flourish, not for us,

Nor yet to draw one thought of ours to him.
But from sheer morning gladness at the brim.

The butterfly and I had lit upon,
Nevertheless, a message from the dawn,

That made me hear the wakening birds around,
And hear his long scythe whispering to the ground,

And feel a spirit kindred to my own;
So that henceforth I worked no more alone;

But glad with him, I worked as with his aid,
And weary, sought at noon with him the shade;

And dreaming, as it were, held brotherly speech
With one whose thought I had not hoped to reach.

'Men work together,' I told him from the heart,
'Whether they work together or apart.'

34. Mending Wall from North of Boston, 1915

Mending Wall takes up the theme where A Tuft of Flowers laid it down.

Something there is that doesn't love a wall,
That sends the frozen-ground-swell under it,
And spills the upper boulders in the sun;
And makes gaps even two can pass abreast.
The work of hunters is another thing:
I have come after them and made repair
Where they have left not one stone on a stone,
But they would have the rabbit out of hiding,
To please the yelping dogs. The gaps I mean,
No one has seen them made or heard them made,
But at spring mending-time we find them there.
I let my neighbour know beyond the hill;
And on a day we meet to walk the line
And set the wall between us once again.
We keep the wall between us as we go.
To each the boulders that have fallen to each.
And some are loaves and some so nearly balls
We have to use a spell to make them balance:
"Stay where you are until our backs are turned!"
We wear our fingers rough with handling them.
Oh, just another kind of out-door game,
One on a side. It comes to little more:
There where it is we do not need the wall:
He is all pine and I am apple orchard.
My apple trees will never get across
And eat the cones under his pines, I tell him.
He only says, "Good fences make good neighbours."
Spring is the mischief in me, and I wonder
If I could put a notion in his head:
"Why do they make good neighbours? Isn't it
Where there are cows? But here there are no cows.
Before I built a wall I'd ask to know
What I was walling in or walling out,
And to whom I was like to give offence.
Something there is that doesn't love a wall,
That wants it down." I could say "Elves" to him,
But it's not elves exactly, and I'd rather
He said it for himself. I see him there
Bringing a stone grasped firmly by the top
In each hand, like an old-stone savage armed.
He moves in darkness as it seems to me,
Not of woods only and the shade of trees.
He will not go behind his father's saying,
And he likes having thought of it so well
He says again, "Good fences make good neighbours."

35. In Hardwood Groves from A Boy's Will, 1915

The same leaves over and over again!
They fall from giving shade above
To make one texture of faded brown
And fit the earth like a leather glove.

Before the leaves can mount again
To fill the trees with another shade,
They must go down past things coming up.
They must go down into the dark decayed.

They must be pierced by flowers and put
Beneath the feet of dancing flowers.
However it is in some other world
I know that this is the way in ours.

36. Mowing from A Boy's Will, 1915

There was never a sound beside the wood but one,
And that was my long scythe whispering to the ground.
What was it it whispered? I knew not well myself;
Perhaps it was something about the heat of the sun,
Something, perhaps, about the lack of sound--
And that was why it whispered and did not speak.
It was no dream of the gift of idle hours,
Or easy gold at the hand of fay or elf:
Anything more than the truth would have seemed too weak
To the earnest love that laid the swale in rows,
Not without feeble-pointed spikes of flowers
(Pale orchises), and scared a bright green snake.
The fact is the sweetest dream that labour knows.
My long scythe whispered and left the hay to make.

37. Revelation from A Boy's Will, 1915

We make ourselves a place apart
     Behind light words that tease and flout,
But oh, the agitated heart
     Till someone find us really out.

'Tis pity if the case require
     (Or so we say) that in the end
We speak the literal to inspire
     The understanding of a friend.

But so with all, from babes that play
     At hide-and-seek to God afar,
So all who hide too well away
     Must speak and tell us where they are.

38. In Equal Sacrifice from A Boy's Will, 1915

Thus of old the Douglas did:
He left his land as he was bid
With the royal heart of Robert the Bruce
In a golden case with a golden lid,

To carry the same to the Holy Land;
By which we see and understand
That that was the place to carry a heart
At loyalty and love's command,

And that was the case to carry it in.
The Douglas had not far to win
Before he came to the land of Spain,
Where long a holy war had been

Against the too-victorious Moor;
And there his courage could not endure
Not to strike a blow for God
Before he made his errand sure.

And ever it was intended so,
That a man for God should strike a blow,
No matter the heart he has in charge
For the Holy Land where hearts should go.

But when in battle the foe were met,
The Douglas found him sore beset,
With only strength of the fighting arm
For one more battle passage yet--

And that as vain to save the day
As bring his body safe away--
Only a signal deed to do
And a last sounding word to say.

The heart he wore in a golden chain
He swung and flung forth into the plain,
And followed it crying 'Heart or death!'
And fighting over it perished fain.

So may another do of right,
Give a heart to the hopeless fight,
The more of right the more he loves;
So may another redouble might

For a few swift gleams of the angry brand,
Scorning greatly not to demand
In equal sacrifice with his
The heart he bore to the Holy Land.

39. October from A Boy's Will, 1915

O hushed October morning mild,
Thy leaves have ripened to the fall;
To-morrow's wind, if it be wild,
Should waste them all.
The crows above the forest call;
To-morrow they may form and go.
O hushed October morning mild,
Begin the hours of this day slow,
Make the day seem to us less brief.
Hearts not averse to being beguiled,
Beguile us in the way you know;
Release one leaf at break of day;
At noon release another leaf;
One from our trees, one far away;
Retard the sun with gentle mist;
Enchant the land with amethyst.
Slow, slow!
For the grapes' sake, if they were all,
Whose leaves already are burnt with frost,
Whose clustered fruit must else be lost--
For the grapes' sake along the wall.

40. Reluctance from A Boy's Will, 1915

Out through the fields and the woods
     And over the walls I have wended;
I have climbed the hills of view
     And looked at the world, and descended;
I have come by the highway home,
     And lo, it is ended.

The leaves are all dead on the ground,
     Save those that the oak is keeping
To ravel them one by one
     And let them go scraping and creeping
Out over the crusted snow,
     When others are sleeping.

And the dead leaves lie huddled and still,
     No longer blown hither and thither;
The last lone aster is gone;
     The flowers of the witch-hazel wither;
The heart is still aching to seek,
     But the feet question 'Whither?'

Ah, when to the heart of man
     Was it ever less than a treason
To go with the drift of things,
     To yield with a grace to reason,
And bow and accept the end
     Of a love or a season?

41. Fragmentary Blue from Harper's Magazine, July 1920, and New Hampshire, 1923

Why make so much of fragmentary blue
In here and there a bird, or butterfly,
Or flower, or wearing-stone, or open eye,
When heaven presents in sheets the solid hue?

Since earth is earth, perhaps, not heaven (as yet)--
Though some savants make earth include the sky;
And blue so far above us comes so high,
It only gives our wish for blue a whet.

42. The Need of Being Versed in Country Things from New Hampshire, 1923

The house had gone to bring again
To the midnight sky a sunset glow.
Now the chimney was all of the house that stood,
Like a pistil after the petals go

The barn opposed across the way,
That would have joined the house in flame
Had it been the will of the wind, was left
To bear forsaken the place's name.

No more it opened with all one end
For teams that came by the stony road
To drum on the floor with scurrying hoofs
And brush the mow with the summer load.

The birds that came to it through the air
At broken windows flew out and in,
Their murmur more like the sigh we sigh
From too much dwelling on what has been.

Yet for them the lilac renewed its leaf,
And the aged elm, though touched with fire;
And the dry pump flung up an awkward arm;
And the fence post carried a strand of wire.

For them there was really nothing sad.
But though they rejoiced in the nest they kept,
One had to be versed in country things
Not to believe the phoebes wept.

43. Bond and Free from Mountain Interval, 1916

Love has earth to which she clings
With hills and circling arms about--
Wall within wall to shut fear out.
But Thought has need of no such things,
For Thought has a pair of dauntless wings.

On snow and sand and turf, I see
Where Love has left a printed trace
With straining in the world's embrace.
And such is Love and glad to be.
But Thought has shaken his ankles free.

Thought cleaves the interstellar gloom
And sits in Sirius' disc all night,
Till day makes him retrace his flight,
With smell of burning on every plume,
Back past the sun to an earthly room.

His gains in heaven are what they are.
Yet some say Love by being thrall
And simply staying possesses all
In several beauty that Thought fares far
To find fused in another star.

44. My November Guest from A Boy's Will, 1915

My Sorrow, when she's here with me,
      Thinks these dark days of autumn rain
Are beautiful as days can be;
She loves the bare, the withered tree;
      She walks the sodden pasture lane.

Her pleasure will not let me stay.
      She talks and I am fain to list:
She's glad the birds are gone away,
She's glad her simple worsted grady
      Is silver now with clinging mist.

The desolate, deserted trees,
      The faded earth, the heavy sky,
The beauties she so truly sees,
She thinks I have no eye for these,
      And vexes me for reason why.

Not yesterday I learned to know
      The love of bare November days
Before the coming of the snow,
But it were vain to tell her so,
      And they are better for her praise.

45. Nothing Gold Can Stay from New Hampshire, 1923

Nature's first green is gold,
Her hardest hue to hold.
Her early leaf's a flower;
But only so an hour.
Then leaf subsides to leaf.
So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay.

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If you really like Robert Frost, you may enjoy these longer poems:
Christmas Trees
Brown's Descent
The Death of the Hired Man
The Mountain
Blueberries

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